Ljubisa ristic rade serbedzija biography
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The Charismatic Presence of Rade Šerbedžija in Both East and West Cinema
Even though undoubtedly one of the best Yugoslavian actors of all time, Rade Šerbedžija was a man of the people. He was extremely famous but lived a normal life. No one could have imagined that things would rapidly change and he’d have to leave his native country.
Before we dive into his impressive career and fascinating life story, let’s address his beginnings.
The Beginnings of Rade Šerbedžija
Serbedzija was born in Bunic, a village in the Lika region in Croatia, then part of Yugoslavia. His parents were Serbs who fought in WW2 as Partisans. After graduating from the Academy of Dramatic Arts in Zagreb, he worked as a theater actor.
Because of his tremendous talent, he soon began filming movies and TV shows. From his early beginnings, it was evident that Serbedzija would be one of the best actors in the country and beyond. Later, he was also a professor at two Universities, in Zagreb from 1979 to 1
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Rade Šerbedžija, Actor, Poet, Writer
This great Yugoslav actor, who has enjoyed a glittering international film career, talks about how – as a Serb from Croatia – he left a country at war in the 1990s, which is why hatred is a foreign word to him, and he teaches his students in Rijeka about that today. He has been a guest in the home of famous Croatian writer Miroslav Krleža, and long ago he drove today’s Croatian Prime Minister to basketball training with his own sone when they were kids. He has shot films with global stars, but for him, the only remaining Hollywood great is Warren Beatty
According to many, Rade Šerbedžija is the world’s most famous native of Lika after Nikola Tesla. However, he refutes that claim at the very start of this interview: “I’m probably among the circle of the most famous people from Lika today, alongside basketball legend Nikola Plećaš, for example, and music star Josipa Lisac. But Nikola Tesla is in another category. He is beyond ev
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"In Serbia, there is an attempt to revise history, the explanation of which, instead of in the past, should be sought in the present." inom am referring to the attempt of the local servants of the empire to justify their collaboration with the occupier in similar historical examples. Well, Milan Nedić, Dimitrije Ljotić or Draža Mihailović are not being rehabilitated because of historical justice, truth or a change in historical perspective; simply, one is looking for an alibi for one's own betrayal. Unfortunately, the only continuity in 'our areas' is collaboration and cooperation with the occupier; resistance and the fight for freedom are an exception"
When in September 1984, in an article entitled "Yugoslavs are waiting for good times (and Godot)", the "New York Times", talking about Ljubisa Ristic, his KPGT and Godo-Fest, actually told the story of Tito's Yugoslavia, few believed that this country, just a few years later, will end in such a shameful way. Ljubiša Ristić, one of t