Anatol ugorski pianist magazine

  • Anatol Ugorski, who has died aged 80, was a Soviet concert pianist with an eccentric keyboard style whose enthusiasm for modernist composers from the West fell.
  • Anatol Ugorski, pianist, was born on September 28, 1942.
  • Simply put, Anatol Ugorski is one of the very few pianists who experienced a meteoric rise in fame who also kept up and even refined his deep pianistic beliefs.
  • Title - 'The Complete Recordings On Deutsche Grammophon'
    Artist - Anatol Ugorski

    For those not in the know, Anatol Ugorski is a classical pianist of Russian origin who lives in Germany.

    Anatol Ugorski, born in a poor background, is the eldest of five children. As early as 1945, his parents moved to Leningrad. He was at first in a school where he sang and played the xylophone. From his six years, he succeeded the selection at the entrance to the school of music of Saint Petersburg Conservatory where he studied until 1960.

    He was subsequently admitted to the Conservatory of Leningrad in the piano class of Najda Gouloubovskaia with whom he worked until 1965. He was a student and attracted attention through the interpretation of avant-garde pieces: abandoning the repertoire traditionally devoted to Russian pianists, he played in the USSR some of the works of controversial Western composers such as Arnold Sch�nberg (Pierrot Lunaire), Alban Berg, Olivier Messiaen and Pierre

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    International Piano offers a rich mix of inspiration and guidance to pianists and piano fans around the world, from dedicated amateurs and students to professional pianists, teachers and aficionados. Celebrating the piano in all its forms, including the fortepiano and digital keyboards, each edition of our magazine is packed with interviews, features, news and reviews showcasing the top artists of today and yesteryear.

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    Anatol Ugorski dies aged 80

    LETTERS

    Seeking musical character

    • Arielle Beck may be just a teenager but her musical instincts and high-profile mentors have already set her along a path of enormous promise. Jonathon Brown meets her

    Some four-handed musings

    • Jed Distler shares some thoughts on the challenges and rewards of performing orchestral repe
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