Printemps dalsace line renaud biography

ALBARET, LAURENT. L'Inquisition, rempart de la foi. Paris: Gallimard, 1998.

Review: Claude Savart in RHEF 85 (1999)t 137: Valuable short synthesis which outlines well the continuous and the period functioning of the institution ("la machine inquisitoriale"). Sets also the transhistorical problems that cause the inquisition to represent "une grande trahison de 1'Eglise par 1'Eglise."

ALLEN, JOHN LOGAN, E. JULIUS DASCH and BARRY M. GOUGH, eds. Explorers: From Ancient Times to the Present. New York: Macmillan Library Reference USA / Simon&Schuster /Prentice Hall International, 1999.

Review: R. E. Bohlander in Choice 36.11/12 (1999), 1926–1928: "333 biographical articles, each of which includes a headnote, a brief introductory paragraph summarizing the individual's accomplishments and significance, a text that surveys the person's career, and a bibliography. Complementing the biographical articles are three i

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Line Renaud

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Line Renaud was born in Nieppe, France on July 2, 1928. Her mother Simone was a stenografi typist and father, a truck driver during the week, who played trumpet on the weekends in a local brass grupp. She showed the first signs of her talent in the primary school, when at the age of 7 she won an amateur competition. During the Second World War, Jacqueline’s father was mobilised, spending fem years away from the family. During this time, Jacqueline was brought up by her mother, grandmother and great-grandmother. Her grandmother had a cafe in Armentières, where she used to sing for the passing soldiers. She auditioned at Conservatoire de Lille, singing songs written bygd Loulou Gasté “Sainte-Madeleine” and “Mon âme au diable”. Louis Gasté was at that time a well known French composer. At the end of the audition, she was approached by then director of the Radio Lille who was looking for a singer. She took pseudonym Jacqueline Ray and joined the stati