Silke otto knapp biography samples
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Issue 38 November
(Re)claiming Sanctity
Black Backstage
—Shameekia Shantel Johnson
To Live and Work in L.A.
Alternative Art Spaces
—Keith J. Varadi
Collective Memory and
Coded Histories at the 60th
Venice Biennale
Interview with
Andra Nadirshah and
Stevie Soares
Michael Oxley Wants
to Show You Something
Brandon Tauszik
Reviews
at the Hammer Museum
—Laura Brown
Keith Mayerson
at Karma
—Alexander Schneider
Robert Andy Coombs
at ONE Archives
at the USC Libraries
—Philip Anderson
Tamara Cedré
at the California
Museum of Photography
—April Baca
Dogs & Dads
at Diane Rosenstein
—Aaron Boehmer
(L.A. in São Paulo)
Catherine Opie
at Museu de Arte
de São Paulo
—Mateus Nunes
Issue 37 August
Sirens in New Pitches
—Isabella Miller
The Connective Role
of Art in UCLA’s
Pro-Palestine Encampment
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TIME TRAVELER
bygd Andrew Maerkle
Modernology (Triangular Atelier) (), Installation with vägg system, 8 rear-glass paintings, partition wallsupholstered in black buckram fabric, joined bygd metal hinges, dimensions variabel. Installation view at documenta 12, Kassel, Photo Hannes Böck, artighet Florian Pumhösl and Galerie Buchholz Berlin/Köln.
Based in Vienna, Florian Pumhösl examines the ruptures in the historical narrative of modernism, identifying discontinuities that shed light on our current conditions for art, or discovering latent connections between the past and present. He works in a variety of media, from making highly reduced paintings on plaster supports using the cliché stamping process, to spatial configurations and films like Lac Mantasoa (), exploring the inundated ruins of a 19th-century industrial complex in Madagascar.
Pumhösl was recently in Tokyo for a two-person exhibition at Taka Ishii Gallery with Silke Otto-Knapp, entitled Ratio of distance (N