Ariosto ludovico biography books
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The satires of Ludovico Ariosto: A Renaissance autobiography
I think the satires would be very rewarding for someone with substantial knowledge of Horace and Renaissance Italy. In his introduction to Ariosto Today editor Donald Beecher discusses how Ariosto excelled in the contemporary erudite practice of referring to classical works while experimenting around the edges in extending the scope of a classical work or style. The jacket flap of The Satires says:
Through a persistent, though subtle, comparison of himself with Horace (who served as his alter ego), Ariosto achieved in his Satires a devastating criticism of sixteenth-century Italian society in a condition of ethical, political, and religious disintegration, and he arrived at a full and detailed eva•
Ludovico Ariosto
Orlando Furioso 4.04 avg rating — 3,950 ratings — published 1516 — 496 editionsOrlando Furioso: Part One (Orlando Furioso, #1) 4.19 avg rating — 386 ratings — published 1516 — 144 editionsOrlando Furioso: Part Two (Orlando Furioso, #2)
by4.20 avg rating — 223 ratings — published 1516Satire
by3.89 avg rating — 74 ratings — 9 editionsLa Lena
by3.25 avg rating — 60 ratings — published 1528 — 8 editionsCinque Canti / Five Cantos (Biblioteca Italiana #8) 4.07 avg rating — 15 ratings — published 1545 — 9 editionsSupposes (Carleton Renaissance Plays in Translation #33)
byreally liked it 4.00 avg rating — 13 ratings — published 1509 — 7 editionsCassaria 3.07 avg rating — 15 ratings — published 1508 — 18 editionsOrlando Furioso e Cinque canti
by4.30 avg ratin•
Ludovico Ariosto
Italian poet (1474–1533)
"Ariosto" redirects here. For the former member of the United States House of Representatives, see Ariosto A. Wiley.
Ludovico Ariosto (, ;[1][2]Italian:[ludoˈviːkoaˈrjɔsto,-ariˈɔsto]; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romanceepicOrlando Furioso (1516). The poem, a continuation of Matteo Maria Boiardo's Orlando Innamorato, describes the adventures of Charlemagne, Orlando, and the Franks as they battle against the Saracens with diversions into many sideplots. The poem is transformed into a satire of the chivalric tradition.[3] Ariosto composed the poem in the ottava rima rhyme scheme and introduced narrative commentary throughout the work.
Ariosto also coined the term "humanism" (in Italian, umanesimo)[4] for choosing to focus upon the strengths and potential of humanity, rather than only upon its role as subordinate to God.