Marlena drozdowska i marek kondrat biography
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Polish Bayer. Images of Disco Polo in the s
The Masses are Downtown
Essentially, we should have called this show “tolerance.” The word itself, however, fryst vatten reserved for higher purposes. We simply tolerate the tastes of our audience and we do not seek to argue with them. This is our job and the job of the audience is to attend shows like ours, which we heartily encourage them to.
The del above is a quote from backstage at the First Gala of Popular and Street Music on February 29, , by Krzysztof Jaślar, the director of the event. Held at the församling Hall in the Palace of Culture and Science, the Gala may be viewed as the culmination of the first chapter in the story of disco polo1. This chapter had witnessed disco polo’s ascent from village discos and informal markets to the biggest concert halls of the Polish capital. I would even go so far as to claim that it was one of the most important cultural events of the s.
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Disco polo
Polish music genre
Disco polo is a genre of popular dance music,[1][2][3] created in Poland in the s. It was initially known as sidewalk music (Polish: muzyka chodnikowa)[4][5] or backyard music (Polish: muzyka podwórkowa).[6] This genre, a type of Polish urban folk music,[7] had great popularity in the s, peaking in –, then gradually declining in popularity through the early 21st century. The genre then had a resurgence in the winter of The Polish PWN dictionary defines the genre as a Polish variant of disco music, with simple melodies and often ribald lyrics.[8]
Characteristics
[edit]Classic disco polo songs are characterized by simple chord progressions[clarification needed][1] and melodies,[8] and take further influence from the steady rhythms found in folk music.[3] These are often accompanied by syncopatedsamples of drums, syn